
Flash Creative Direction
Project completed
In house, Streamotion/Foxtel Group.
Role
Design, Design Direction
THE BRAND
The concept behind Flash was to unite diverse sources, perspectives, and opinions in one place, allowing users to quickly catch up on conversations before joining in themselves.
The logo we received references ‘breaking news’ graphics from broadcast media, while incorporating subtle serif indentations in the typeface as a thoughtful nod to newspaper heritage.

SUB BRANDS
The product needed marketable features for launch, so we explored how to brand some of these features as natural extensions of the Flash logo.
I briefed our team to leverage the existing logo’s sense of direction and movement while incorporating elements of the ‘newsroom’ concept. This sub-branding needed to function effectively in marketing materials but also within the product itself to merchandise the platform’s content.


PRODUCT TYPEFACE
Wanting to capture the heritage of news I proposed the use of a serif typeface for headings. I felt whilst the format users were to consume news was different, it felt right to bring some familiarity and credibility whilst feeling modern and vibrant.
Typeface options needed a similar x-height and line height to Gibson (used in previous products) to minimise development impact and retain character count rules.
I recommended Tisa Pro and Museo Slab.



VISUAL DIRECTION
LAYERING WITH DIAGONALS
My brief for branded product assets focused on incorporating movement by building on diagonal elements from the Flash logo while exploring layering techniques to create depth.
I suggested examining extreme crops of the logo to uncover interesting patterns within its structure.
Early exploration produced some striking geometric patterns, which led me to request the addition of light streaks and the incorporation of frosted/blurred panels.

We added in some brand accents to channel tiles and active states.

ICONS
Next, we tackled icons. I had briefed an external illustrator to design some forms that would complement our news category.
The forms needed to be simple and easy to understand. Initially we disregarded styling, but found it difficult to gather meaningful feedback on the iconography alone. After experimenting with some styles, we brought the task in-house and ultimately settled on simple line art with applied gradients to suggest light interaction and dimension.

